Key takeaways
- Barcelona-based designer Luis Gimeno designed the Kokeshi Table, featured by Yanko Design on October 18, 2026
- The table pairs a matte black cylindrical structure with a rounded wooden surface that fits into its silhouette
- Inspiration comes from the Kokeshi doll, a traditional Japanese handcrafted wooden figure with a cylindrical body and rounded head
- The two surfaces serve distinct uses: one for permanent objects, one for immediate needs like coffee or a current read
- Dimensions, colors, and wood types are customizable; Gimeno designs under the name Meguso
By Priya Raman
Barcelona-based designer Luis Gimeno has turned the Kokeshi doll, a traditional Japanese handcrafted wooden figure with a cylindrical body and rounded head, into a side table that joins two contrasting geometries at a single slender waist.
The Kokeshi Table, featured by Yanko Design on October 18, 2026, pairs a matte black cylindrical structure with a rounded wooden surface. The wooden element nests into the cylinder's silhouette. Each curve appears to accommodate the other, giving the composition what the source describes as "an almost puzzle-like quality."
Gimeno did not interpret the doll literally. He translated its defining proportions into a contemporary piece of furniture. The result reads as two distinct shapes that appear to belong together despite their differences.
What do the two surfaces actually do?
Here's the reader's practical question: what changes with two surfaces instead of one? The answer is zoning. Gimeno's initial idea was a table with two separate surfaces, each serving a different kind of everyday use.
- Black cylinder surface: holds objects that stay put — a favorite book, a small plant, a decorative object.
- Rounded wooden surface: serves immediate needs — a morning coffee, the book currently being read, something temporarily set aside.
The source notes this distinction "introduces a sense of order without prescribing a routine." Both surfaces can adapt as habits shift through the day.
How do materials and color carry the design?
The matte black body acts as a visual anchor. The warm natural wood adds softness and contrast. The darker surface emphasizes the table's silhouette; the lighter rounded element draws the eye to the point where the two shapes meet. The design communicates through proportions alone, with no added ornamentation.
That contrast is what makes the geometry legible. It also keeps the piece graphic without overwhelming a room, according to the source.
Where does it fit, and can it be customized?
The table's compact sculptural presence works beside a sofa, in a reading corner, or as an accent in a bedroom, the source says. In a minimalist interior, the contrasting forms supply just enough visual interest to interrupt a restrained setting. In an eclectic space, its playful character holds its own among expressive furniture.
Customizable dimensions, colors, and wood types allow further variation. The relationship between the two forms keeps the design recognizable across those configurations.
Why it works
The Kokeshi Table succeeds because its visual and functional ideas coexist naturally. The shapes satisfy the eye. The contrasting surfaces have a practical purpose. The reference to a traditional object gives the piece character, in the source's words, "without overwhelming its contemporary expression."
Gimeno, who designs under the Meguso banner, has built something that works as a small sculpture and as an everyday side table. The detail that rewards a closer look is the smallest one: the precise meeting of two curves. For buyers weighing a statement piece against practicality, this table quietly offers both.
Original: megosu.com
More from Priya Raman
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News editor covering people, launches and day-to-day practice in construction industry, architecture, interior design at Built Current.
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