
say architects pulls tea-making out of the back kitchen for HEYTEA
say architects' 178-square-metre HEYTEA Craft Store in Guangzhou moves tea-making from the back kitchen to an L-shaped counter, letting customers watch copper pots and strainers at work.
- Section
- Interiors
- Author
- By Elena Vasquez
- Filed
- Length
- 3 min read
Key takeaways
- say architects completed the 178-square-metre HEYTEA Craft Store in Guangzhou in 2026, with lead architects Zhang Yan and Shan Jianan.
- The design moves tea-making from the back kitchen to an L-shaped counter framed on three sides, with seating facing the tea maker.
- The interior uses nail-free Chinese mortise-and-tenon joinery, aged galvanized metal, rattan and coarse pottery, and retains demolition traces in the exposed ceiling.
say architects has moved tea-making from the back kitchen to the front of the house at the new HEYTEA Craft Store in Guangzhou. The 178-square-metre space, completed in 2026, is designed to make craft visible again in an industry built on speed.
"No one wants to wait for a cup of tea. Scan, pay, wait for your number, take it away," the architects write in their project description. "The cup is warm, but how the tea came to be is nowhere to be seen."
The brief was a deliberate inversion of the standard new-tea retail model. According to say architects, the sector has pushed everything toward faster launches, faster service and faster replication of the next store, hiding the process in back-of-house kitchens that function as unreadable machines dispensing orders. The studio's counter-position is direct: "HEYTEA Craft Store wants to do something else: to slow down."
Zhang Yan and Shan Jianan led the design. Their strategy begins at the entrance. The doorway recedes beneath a modest eave, and the door handle is cast iron wrapped in a hand-stitched leather sleeve. "Before you order, your hand has already touched the warmth of craft," the architects write.
A woodworking table stands in the vestibule beside a tea roasting machine that slowly roasts leaves at low temperature. "The leaves release a warm aroma; before sight arrives, scent gets there first."
The core of the plan is an L-shaped counter running diagonally through the space. Walls, ceiling and cabinetry frame the counter on three sides, directing attention to the tea itself. The seating faces the tea maker, so copper pots, strainers and spouts rise and fall in full view of the customer. "Those in a hurry can leave faster; those willing to slow down can sit and watch a cup of tea being made," say architects state.
The material palette carries the same logic. The exposed ceiling retains the traces of demolition, with the original structure's direction left in place. "There is no rush to make it brand new; instead, it carries these traces and becomes a workshop step by step," the architects write. "The age of a cup of tea lies in its flavor; the age of a store lies in its roots."
Chinese mortise-and-tenon joints, assembled without a single nail, lock the cabinets, tables and chairs into a solid whole. Aged galvanized metal, rattan weaving and coarse pottery complete the interior — materials, the architects note, that "are not afraid of wear; they welcome the marks of time."
The project drew an audience before it opened. During six months of construction behind hoarding, people came every day to check its progress, following the renovation, in the architects' words, "like a TV series." Customers now stop to watch the tea maker brew.
"A cup of tea can go viral for all to see; for a cup of tea to be truly seen is rare," say architects write. "Good craft is not finished once it is made; it only counts when it is seen."
The store stands at 1F, Guangmeishan Railway Building, Tianhe Road, Guangzhou. For HEYTEA, willing to make slow tea, and for say, willing to make a space unafraid of aging, the shared proposition is that visible process, not faster throughput, can anchor a brand.
Original: images.adsttc.com

