FilaLoom Weaves Yarn Into 3D Prints Without Extra Motors
FilaLoom Weaves Yarn Into 3D Prints Without Extra MotorsLPArt / pixabay

Construction Tech

FilaLoom Weaves Yarn Into 3D Prints — No Extra Motors Required

Joram de Haas's FilaLoom turns a Bambu Lab A1 into an automated weaving printer using no extra motors — cutting build volume to 54% but opening new design territory.

Author
By Grace Kim
Filed
Length
3 min read

Key takeaways

  • FilaLoom was developed by Joram de Haas for his master's thesis in Integrated Product Design at TU Delft.
  • The prototype uses a Bambu Lab A1 printer with no additional electronics or motors — only a mechanical coupling and a spring-loaded spool.
  • The attachment reduces the A1's usable combined printing-and-weaving volume to 54% of its original build volume.
  • DIY files, including printable components and Grasshopper GCode scripts, are available on de Haas's GitHub repository.
  • The thesis also explores soft yarn textures and cable-driven interactions beyond basketlike woven objects.

A desktop 3D printer that weaves real yarn into prints as it builds them — with zero additional electronics — is the working result of a TU Delft master's thesis. Industrial and computational designer Joram de Haas developed FilaLoom for his thesis in Integrated Product Design, and the project addresses a fabrication problem that has always slowed hybrid objects down: combining printed structure with thread without making yarn placement a separate, manual task.

How does the machine actually weave?

The prototype starts with a Bambu Lab A1 fitted with two additions: a yarn-depositing tool and a parking station. The printer first builds plastic anchor points. It then picks up the weaving tool and guides yarn between those anchors. When the yarn run is done, it parks the tool and resumes printing, locking the fibers in place.

That alternating sequence matters. Structure and textile develop together in a single job, instead of someone threading a finished plastic skeleton by hand afterward.

The restraint is the clever part. FilaLoom runs entirely on the printer's existing motion system. A mechanical coupling handles the tool changes, and a spring-loaded spool supplies adjustable yarn tension. No extra motors, no rewiring — the machine's precise movement simply gets a second job.

What does the yarn add to the prints?

The samples make the case visually. In one, blue and lilac yarn snakes through white plastic ribs, giving the object a basketlike appearance. The white vertical elements stay clearly legible while the colored yarn establishes a contrasting horizontal rhythm. Neither material disappears into the other — you can read the relationship between rib and thread, which gives the pattern a purpose beyond surface decoration.

The thesis goes beyond baskets. De Haas also explores soft yarn textures and cable-driven interactions, which points toward functional uses: deciding where an object should bend, where it needs rigidity, and where a different surface character would help. Those are design decisions, not just decoration.

What are the compromises?

The researchers report the attachment cuts the A1's usable combined printing-and-weaving volume to 54% of its original build volume. Yarn tension also demands care — pull too hard and the yarn can deform a print or drag it off the build plate. It's a fair trade for a research prototype, and the constraints are clearly documented rather than glossed over.

Can makers try it?

Yes, but it isn't plug-and-play. De Haas's GitHub repository provides printable component files and Grasshopper scripts for generating compatible GCode — the instructions that direct the printer's movements. That's a more involved proposition than downloading a planter file and pressing print. The honest framing: FilaLoom is an invitation to experiment with a fabrication method, not a ready-made home gadget.

The project's immediate value lies in testing material combinations that would otherwise demand hand assembly. Even a small sample can answer whether a woven pattern deserves to become a larger object. The strongest outcome, as de Haas's work suggests, would be an object whose form genuinely needs both materials — yarn doing real work, plastic doing more than imitating thread. For now, the files are public, and the experiments are just beginning.

Source: Yanko Design

3d-printing additive-manufacturing hybrid-fabrication textiles product-design

Share this article:

More from Grace Kim

Grace Kim

Show full bio

Staff writer covering money, funding and market shifts around construction industry, architecture, interior design at Built Current.

157 articles

More projects

« Previous article