
Stanton Williams completes first girls' boarding houses at Winchester College
The gabled brick complex is Winchester College's first new boarding houses since 1912 and the first designed for girls since it went co-educational in 2022.
- Section
- Architecture
- Author
- By Elena Vasquez
- Filed
- Length
- 3 min read
Key takeaways
- The two boarding houses are Winchester College's first new boarding complex since 1912 and the first designed for girls since co-education began in 2022.
- The buildings form an S-shape enclosing two courtyards, with two dining halls that can be joined into one space via a movable partition wall.
- Bricks supplied by York Handmade in a blend of four colours reference the college's Victorian boarding houses, with bonds including Flemish, vertical stretcher and 'hit-and-miss' brickwork.
Stanton Williams has completed Winchester College's first new boarding complex since 1912 – and the first in its history designed for girls, following the school's move to co-education in 2022.
The two boarding houses sit within the 640-year-old site of the school, which was founded in 1382. The London studio wrapped two courtyard gardens with gabled brick buildings that reference the historic layout and architecture of the college.
Stanton Williams aimed to ground the scheme in both the site's historic architecture and the "culture of the college", using familiar materials and a layout based on its historic buildings and cloisters.
"We started by trying to understand Winchester on its own terms – not just its buildings, but how the college works and how pupils learn and live together," the studio's principal director Kaori Ohsugi told Dezeen.
"Because these houses are for sixth formers, we were also interested in the space between a school and a college – somewhere that provides comfort and security, but also encourages independence, conversation and the exchange of ideas," she added.
"That thinking shaped the courtyards, cloister and sequence of shared spaces, so the architecture supports the culture of the college rather than simply providing accommodation."
S-shaped plan and movable partition
The two boarding houses form an S-shape that encloses two courtyard gardens on either side. Rows of gable roofs help break down the massing of the blocks.
Overlooking the central courtyards are two back-to-back dining halls with fully glazed walls and skylit timber ceilings. A movable partition wall can unite them as a single large space.
"Each house has its own dining hall – its own heart, in a sense – but the wall can open and the two courts, the two communities, come together," Ohsugi explained.
"It's a small architectural move, but it carries the whole idea of the project, two houses that are distinct but never separate," she added.
The ground floor accommodates communal and staff spaces alongside the dining areas. Above, two floors of bedrooms are organised off central corridors, orientated either toward the courtyard or the surrounding campus.
Brick bonds with a purpose
Brickwork on the exterior references the college's Victorian boarding houses, with varying bonds, textured areas and patches of flint incorporated into the garden walls. Inside, warm oak panelling incorporating perforated acoustic panels matches the glue-laminated timber beams of the dining halls.
"Brick was never in question – it's what the Victorian boarding houses are built from, supplied here by brick manufacturer York Handmade as a blend of four colours," explained Ohsugi.
"We varied the bonds according to how each part of the building is used," she added. "Flemish bond at ground level, where people experience the wall at close range, references Antrim House and the historic core."
"A vertical stretcher bond marks the transition at the cloister openings, and 'hit-and-miss' brickwork sits in front of the staircase windows, giving soft, dappled light and a degree of privacy without feeling closed off," she added.
Stanton Williams is a Stirling Prize-winning studio founded by Alan Stanton and Paul Williams in 1985. It won the Stirling Prize in 2012 for the Sainsbury Laboratory in the botanic gardens of Cambridge University, and its recent work includes a retirement complex overlooking Hampstead Heath in London and the renovation and extension of the Grade II*-listed Rhodes House at the University of Oxford.
The photography is by Jack Hobhouse.
The project marks a structural shift in how one of England's oldest schools houses its pupils – and sets a precedent for how co-education can be given architectural form.
Original: stantonwilliams.com

